Mark Watney (Matt Damon) is stuck on Mars! After Commander Melissa Lewis (Jessica Chastain) ordered Martinez (Michael Pena), Johansson (Kate Mara in her most fantastic 2015 sci-fi role), Beck (Sebastian Stan), and Vogel (Aksel Hennie) to leave him after his suit was perforated in a storm, Watney wakes up, and just makes it to the habitat, where he repairs the suit, and makes his first video log. Rather than give up like the less prepared and less skilled would, Watney defies the statement of NASA director Sanders (Jeff Daniels) and sciences the $h1+ out of Mars in a realistic manner. I do not feel like we should define this as science fiction, because it is fiction by the loosest definition: a story that has not happened in our world. It is a scientifically accurate fictional story. The length may seem overwhelming at first (almost two and a half hours), but they make the pacing work out, as well as have it make sense, both scientifically and storywise. We alternate between Watney, NASA, and more towards the end, the crew of Ares III. Mars is bright in the picture, because wherever they filmed this, you feel like it could really be Mars, and the establishing shots of the planets look amazing. I could believe they launched a camera into space to take those shots (Based on their budget, not too likely), and their use of CGI is minimal, which helped make it feel more like a movie based on a true story than a movie based on a fictional book. However, it is so plausible in terms of science and the humanity; they bring up the larger parts, but this is ultimately a story of survival and human compassion. All of this goes well with Harry Gregson-Williams’ compelling soundtrack that hits all the right beats except the hilarious ones. That’s right, for comic relief, we get Watney’s lighter moments post-abandonment set to 70s music assumably from Lewis’ collection she got to bring with her. His reaction to her taste (if you can call it that according to Watney) and the use of said songs at the right moments make for laughter to keep us from falling asleep and/or providing lighter moments. There’s a bit more swearing though, especially for a PG-13 movie, but I’m not complaining, because the scenario called for it, and the character development was spot-on: we get to really care for Mark Watney, because we get to experience his sense of humor and see how the crew feels about abandoning him, and see how people really do have an inherent need to save each other, even if it’s just one person, from lost hikers to abandoned astronauts on distant planets. The Martian is perfect: it has Guardians of the Galaxy’s sense of humor with the true-life-story genre and the language of a sailor!