Don’t trust a song that’s flawless...
Okay.
So most people who are writing reviews for this album seem to either
1. Not have seen the livestream performance that accompanied this album and or
2. Not understood the deeper storyline here.
THIS IS A SATYRICAL ALBUM.
This album literally was announced through the DEMA ORG website in an incredibly cryptic way, there have been hidden messages like the fact the album name is an anagram for “Clancy Is Dead” (if you know Trench lore, you know who Clancy is) as well as standing for “Scaled Back and Isolated” which is a term Tyler coined for the pandemic. Also a hidden message in the image of their Christmas single that is a present in the background that says “SAI is propaganda - Clancy”.
Yes it doesn’t ‘sound like them’ because it’s supposed to be Tyler and Josh through the brainwashed lense of DEMA. This is SUPPOSED to not sound like them. But this is still twenty one pilots. Here is why:
At first listen, most of us would assume this is much more ‘bubblegum pop happy’ than any of their other work - and indeed it’s meant to be taken that way at surface level, but listen to it closer. There is heart in here - the lyrics are actually very deep, touching on being happy to please others/conform to society standards and the existentialism of death (Good Day, Mulberry Street, Choker) as well as police brutality, the corruption of the government and the political divide (Never Take It, No Chances, Redecorate) to fast culture, deportation and racism (Bounce Man, The Outside).
Redecorate on it’s own is a phenomenal song - I was incredibly impressed by this track, it shook me to my core. Tyler sings about 3 different people with 3 different stories but all the same pain of dying and leaving everything behind. The song is based on the idea of a parent losing a child and leaving their room exactly as it was - “keep it on display, or redecorate”.
This song absolutely touches on classism and murder, I even take it as an LGBT song about wether to present yourself authentically or change in order to be safer.
That is the fun thing about good art, you can make it into your own.
No Chances may seem kind of cocky and surface level, but this song also speaks on police brutality and death. It’s a direct reference to the bishops of DEMA as well as the prison system.
I think most of us probably would have listened to this body of work, not knowing the fact that there is a specific flavor to this album.
We probably expected it to sound like Blurryface or Trench, we wanted Tyler to flat out be screaming about pain and depression. But this is still here, it’s just hidden. It’s woven into the pastel colored fabric of this work. You just gotta search for it.
Plus lemme mention the fact that he (Tyler) as an artist has grown a lot over the years. He is a father now, so that means he is automatically writing with a different purpose than his younger self. Tyler is still here, and he is still feeling and struggling and contemplating existence as he always is, it’s just in a different way than we are used to hearing from him. It’s perhaps the most complex he has ever spoken about these issues.
If Blurryface was writing about hard topics from a character and Trench was an expansion of that character into a full environment about being oppressed and controlled by government (as well as the mind/thoughts) then Scaled and Icy is retelling that story the way the actual government wants you to hear it.
It’s genius - to create a fictitious world that mirrors our own in order to address and speak on real life issues. Think of George Orwell’s 1984 or the Truman Show. This is a post apocalyptic story here.
The live performance - (which I highly recommend watching) tells a lot of this story. Tyler is in obvious discomfort/unease playing these new songs. They seem rather fake and forced, like something or someone is making him only play these new happy pop songs and cutting him off when he gets too emotional. Of course this isn’t the case, he is playing a character as he often does. This is still Tyler.
I’ll be honest - These are my favorite musicians and at first listen I was a little confused by how different everything about this album sounded. Then I relistened along with lyrics and watched the SAI live show and realized that everything I can expect from them is still there, you just gotta read between the lines.
This album is actually incredibly brilliant.
Tyler himself said - that there were two albums that could/would be made. One was darker and more align with Trench’s sound and direction and the other would be lighter, funner. The reason he worked on and released this album now is because he felt the world needed some brightness, some positivity, some imagination. This album is actually inspired by a blue dragon toy that was inside Tyler’s studio - he thought about this dragon toy growing and stretching it’s wings to fly around his room with him, this is what led to him basing this album off the idea of imagination and escapism, creating a brighter/happier environment than what is in the world right now. Let’s be honest, we could all use
And again, hidden messages and cries of help are still there.
The production is vastly different on here too due to the different producers working on it with Tyler and Josh, Tyler learned guitar for the album. There is a lot of maturity in the sounds. This album can be listened to and taken as really positive and happy, or it can actually be incredibly intense and sad. Either way it’s a whole spectrum of emotion.
Bravo my dudes, you’ve outdone yourselves again, even when I didn’t think it could be done. Don’t listen to the haters, only few will understand. And those who don’t understand, are just surface level fans. We get you, we hear you, we love you.
Thank you for all you have done/continue to do with your artistry and hardwork.
This album is nothing short of a masterpiece.
Just listen again...
And you’ll feel the saturation.